Most reverted pages on the English wikipedia

Dmitry Chichkov has made a list of most reverted pages on the English Wikipedia based on the analysis of the enwiki-20100130 dump, using a python script.

The file containing the list of Wikipedia pages sorted by reverts ratios (reverts / total revisions) can be found at: wpcvn.com/enwiki-20100130.most.reverted.txt

The amount of reverts is generally proportional to the amount of vandalism, but there are cases where users revert mistakes made in good faith (by themselves or others). Also, it should be noted that several pages vulnerable to vandalism remain protected from editing most of the time, and hence might not appear in this list.

Anyway, the analysis of this data yields some interesting results:

The articles related to sex and excretion seem to be most popular with the vandals. The user pages of the Wikipedia users and bots fighting the vandals also seem to be a popular target of the vandals.

Categories of top 100 Wikipedia articles by reverts ratio

The number of people named Justin who think they are awesome (and therefore, deserve to be mentioned on the Wikipedia entry about their name), and the number of people who think that people named Justin are not so cool seems to be quite high:

The number of juvenile readers born in 1992 seems to be quite high as well:

The students from United States, who often refer Wikipedia for completing their history assignments, seem to like making a few test edits now and then.

But, I’ve no idea why some of our readers hate the warthogs so much:

The vandals obviously don’t like dedicated vandal fighters like User:Gogo Dodo (whose user page is now indefinitely protected):

Note: The above chart excludes the user pages of bots.

Some other results:

I must emphasize that the “reverts ratio” and the “number of reverts” can produce strikingly differnt results. Here’s an example:

Note: For most readers, America = “United States” = a country in North America. Also, people vandalizing Niger are most probably confusing “Nigger” with “Niger”.

There are a lot of other interesting tidbits (e.g. among the politicians, George Bush is the most [un]popular with the vandals) – I wish I had the time to share all of them!

Edit: For a scholarly analysis of these statistics, check out the blog of Antonio A. Casilli.

Posted in Infographics, Wikipedia | Tagged , , , , | 3 Comments

8 poorest Indian states vs. 26 poorest African countries

The newly-released Multidimensional Poverty Index (MPI) report has been getting quite some attention in the media. One of the most widely publicized “findings” from the report is that the 8 poorest Indian states have more poor people than the 26 poorest African countries combined together have (see for example, The Guardian, BBC and Economic Times articles).

Many in the media have expressed shock and dismay at how India, which is often portrayed as one of the world’s most rapidly developing economies, is actually doing worse than the poorest nations of Africa. There are more poor in 8 states of a country than 26 countries of a continent! Time to panic!! Or is it?

Well, the situation isn’t as bad as it seems. India is well on its way to meet its povery reduction goals. The population of the 8 poorest Indian states surpasses that of the 26 poorest African countries by over 100 million. So, it should not be surprising that the number of poor in the Indian states surpasses the same number for African countries by a little over 10 million. In fact, as a percentage of the total population, the number of poor in the 8 Indian states is 69.29%, a figure that is much lower than 81.61% for the 26 African countries. Here are some graphs to give you a perspective.




Population data (2007) taken from UNDP’s Human Development Report 2009 (MPI also uses the data from the same report).

8 poorest states of India (in order of decreasing MPI): Bihar, Jharkhand, Madhya Pradesh, Chhattisgarh, Uttar Pradesh, Rajasthan, Orissa, West Bengal

26 poorest African countries (in order of decreasing MPI): Niger, Ethiopia, Mali, Burkina Faso, Burundi, Somalia, Central African Republic, Guinea, Sierra Leone, Liberia, Mozambique, Angola, Rwanda, Madagascar, Benin, Comoros, Congo, Malawi, Senegal, Nigeria, Tanzania, Mauritania, Chad, Zambia, Gambia, Côte d’Ivoire.

Posted in India, Infographics | Tagged , , , , , , , | 2 Comments

Ethnic humor: Where should we draw the line?

How do you decide what's funny and what's not?

Joel Stein’s article in the TIME magazine, My Own Private India, has ruffled quite a few feathers. There have been a spate of posts by Indian-Americans criticizing the article as racist and offensive. The criticism ranges from well-worded to satirical (such as Kal Penn’s piece) to downright immature (targeting Joel Stein’s Jewish ethnicity). Several non-Indian-Americans have come out in their support, eager to flaunt their anti-racism.

Indians are no strangers to humor based on ethnicity or nationality. Sardarji jokes and jokes about Indians outsmarting dumb Americans continue to be circulated widely among the Indians and the Indian diaspora. Why did the Indian-Americans react so strongly to Stein’s article? Was it just because the joke is on them now? Or is it because the use of the term “dotheads” reminded them of the Dotbusters? Or was there another reason?

Here’s my theory: the Indian-Americans’ reaction to Stein’s article is a reflection of their latent fear that their status as a successful minority community might lead to a backlash someday. They feel it reflects the average American’s perception of the immigrants as a threat to the propsperity of those who arrived earlier.

Ethnic humor is often endearing and entertaining, especially when made by someone belonging to that ethnic group. However, sometimes you don’t know where to draw the line, and the things may go out of hand. The Sikhs know this quite well. Their willingness and ability to poke sheer fun at themselves created an entire genre of jokes: the ubiquitous Sardarji jokes. My ancestors lived in Lahore before moving to Delhi during the Partition of 1947, and consequently my paternal family had ties with many Sikhs. A lot of them cracked Sardarji jokes and the non-Sikhs would often join them: this was not considered offensive at all. But, in the aftermath of Khalistan movement, things were not funny anymore. The Sardarji jokes were often used for harassing the enterprising Sikhs, whose success had created a sense of insecurity among the others. I remember, when I was around 14-year old or so, I once went camping in Mahabaleshwar, where two fellow campers were discussing how stupid Sardars are. I wasn’t sure whether they were serious or just kidding, but being brought up in a family where Sardars are seen as hardworking and honest people, I didn’t feel very comfortable about the conversation. So, I intervened and told them that the Sardars were very intelligent and enterprising people. The young campers, in all seriousness, countered my claim by narrating an incident about two eight-year old Sikh kids who didn’t know all the rules of playing cricket.

Many Sikhs today feel that tasteless Sardarji jokes have harmed the self-esteem of their kids, who often face ridicule in school or on the playground. The Indian-Americans want to avoid such a situation. Stein might have intended to be humorous, but if they allow one such satirical article to go uncriticized today, it might encourage a hundred such articles in the future. And then, it won’t be funny anymore. There are a lot of nutjobs out there in America, who will bring the word “dothead” back in fashion after reading these articles. If they allow Stein’s lines (“…even-less-bright cousins, and we started to understand why India is so damn poor”) to go unchallenged, their kids might become objects of ridicule in the schools tomorrow, stereotyped as not-so-bright immigrants.

The status of Indian-Americans today is reminiscent of the status of the Sikhs, the Jews and several other minority communities at their pinnacle. Both the Jews and the Sikhs gained prominence as successful minorities. However, in the period following their success, they allowed strong negative stereotypes to be associated with them. These stereotypes later came in handy for the Jew-bashers and the 1984 rioters. Indian-Americans don’t want strong negative stereotypes to be built around them. So, they are actively opposed to even the slightest negative take on their community, even if it’s supposed to be humorous. When an Indian-American writes an article on “How To Date A White Bitch, it’s all right. But, imagine the furore that will be caused if a White author wrote an article titled “How To Date An Indian-American Bitch”.

Are you one of those who are appalled because I found Joel Stein's article (somewhat) funny?

I know many readers would be appalled at this, but I actually found (at least some parts of) Joel Stein’s article funny. I also found his apology funny (“Also stupidly assumed their emails would follow that Gandhi non-violence thing.”) Stein seems to have tried mellowing down the perceived anti-Indian rhetoric by using some self-deprecatory humor in his article (e.g. “There is an entire generation of white children in Edison who have nowhere to learn crime.”) I don’t think he wrote like a racist — he was just a little insensitive. Sometimes, you’ve to be a little more considerate about the audience, the context and the times you’re living in. Stein wasn’t considerate enough.

It’s hard to draw a clear line between when we should laugh at ourselves thinking “it’s just a joke!”, and when we should get concerned about others making fun of us. Fifty years down the line, we might be feeling stupid about the knee-jerk overreaction to the Stein’s article or we might be reading a book about how the article was one of the early signs of vehement racism that led to the widespread violence against the Indian-Americans.

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Angelina, Cleopatra and pseudo anti-racism

Cleopatra.
Image credit: Louis le Grand

So, apparently, a lot of people are angry and hurt about Angelina Jolie playing Cleopatra in Scott Rudin’s upcoming film, because they believe that Cleopatra was a black African queen, and it’s unfair to let a white actress play the role. That’s racist, besides being historically inaccurate, they say. Anil Thakkar declares in The Times of India:

Arguments such as those made by the producer that she has the right ‘look’ for the role are laughable; being of the correct ethnicity should, one assumes, be a basic component of having that look.

Well, first of all, Cleopatra wasn’t a “black” woman. She belonged to the Ptolemaic dynasty, which was of Macedonian Greek descent. In all probability she was a “white” woman (having a tanned skin, maybe, with blessings from the Egyptian Sun God). Even if we were to believe the fringe Afrocentrist theories about the race of ancient Egyptian rulers, Cleopatra, at best, could have been a “part black” thanks to the genes from her mother’s side.

But, more importantly, I don’t give a damn about the ethnicity of Cleopatra or that of the actress who plays her. Cleopatra was known for her beauty, her extravagant lifestyle, her love affairs, her shrewdness and her political liaisons. Can Angelina Jolie play a woman with these traits? Yes. Even if Cleopatra were a 100% black woman, what’s the problem with a white woman playing her in a movie? The skin color of Cleopatra didn’t play an important part in her life or in the contemporary Egyptian society. A debate discussing the modern concept of “black” and “white” “races” in the context of Cleopatra’s times is an example of anachronism. A white man playing Martin Luther King, Jr. can be considered a travesty, but there is nothing wrong with a white actress playing Cleopatra. The Times of India editorial puts it best:

Wrecking rather than erecting barriers, cinema can do without intolerance.

A similar controversy had erupted in 2006, when it was announced that Angelina will play Marianne Pearl in a biopic. The self-proclaimed anti-racists don’t give a shit about “accuracy” when Halle Berry plays a white woman (Tierney Cahill) in Class Act or Morgan Freeman plays an Irishman (Ellis Boyd “Red” Redding) in the The Shawshank Redemption.

The controversy stirrers remind me of the Indian politicians, who regularly indulge in the caste-based vote bank politics, while pretending to fight against the caste system. Just like the pseudo-anti-casteist politicians, these people are pseudo-anti-racists: people who claim that they are fighting against racism, but are in fact, among the ones most responsible for keeping it alive.

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Wikipedia doesn’t say “a fashion designer is not an artist”

Is a fashion designer an artist or not?

I want to write about many things that have been happening at Wikipedia in the past few days ranging from the much publicized vandalism (now removed from the public archives) to contributions from Alexa Garavoille‘s students at the Durham School. But, due to paucity of time, I’ll limit myself to this gem published in DNA: ‘Wikipedia says fashion designer is not an artist’.

Tarun Tahiliani is an acclaimed fashion designer in India. He had claimed tax exemption as an artist for his work under section 80 RR of the Indian Income Tax Act, which provides certain concessions to authors, playwrights, artists, musicians, actors and sportspersons. Under this law, which was originally intended to support the artists who represent Indian culture abroad, up to 75% of the income obtained from the foreign sources is exempted from tax.

The problem is that the law doesn’t state who an “artist” is. The Income Tax (I-T) department insists that a fashion designer is not an artist, and dragged Tarun Tahiliani to the court. During a session on June 8, the court asked the I-T department to do some research on “what is an artist” by referring to the Oxford’s, the Webster’s and other sources, and come back on June 12.

So, on June 12, the I-T department returned armed with Wikipedia as a reference. I’m not sure which Wikipedia article did they refer to. The Wikipedia article on fashion design clearly says (since May 2010, permalink):

Fashion design is the art concerned with the application of design and aesthetics to clothing and accessories.

Maybe, they cited the Wikipedia article on “Artist” (permalink), which doesn’t list fashion design among one of the art activities:

Most often, the term describes those who create within a context of the fine arts or ‘high culture’, activities such as drawing, painting, sculpture, acting, dancing, writing, filmmaking, photography, and music—people who use imagination, talent, or skill to create works that may be judged to have an aesthetic value. Art historians and critics define artists as those who produce art within a recognized or recognizable discipline. Contrasting terms for highly-skilled workers in media in the applied arts or decorative arts include artisan, craftsman, and specialized terms such as potter, goldsmith or glassblower. Fine arts artists such as painters succeeded in the Renaissance in raising their status, formerly similar to these workers, to a decisively higher level, but in the 20th century the distinction became rather less relevant.

The term may be also used loosely or metaphorically to denote highly skilled people in any non-”art” activities, as well— law, medicine, mechanics, or mathematics, for example.

Leaving aside the debate whether a fashion designer is an artist or not, or whether the I-T department advocate cited Wikipedia correctly, the website should not be cited as a source (unless you’re writing about Wikipedia itself). I love Wikipedia, I’ve made over 50,000 edits to it, but Wikipedia, by its very nature is not an authoritative source. As the site states:

Even though Wikipedia articles can be easily tampered to thwart credibility, the references in an article usually link to credible sources.

Wikipedia is a starting point for research, not an ending point. It leads you to other sources – cite those, but never cite Wikipedia!

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